Close - Give It Up

I'm not certain about the mix of this yet, but here is the latest (with all instruments & vocals) version of Give It Up, which up until last week was an instrumental - not because it sounded good as an instrumental, but because we hadn't fleshed out the ideas yet.

Give It Up - mixed 122008 - right click to download (control click if your a one button mac user)

There are two parts to the song in two different keys. We thought it was begging for a cause/effect or /problem/resolution relationship between the two parts. we managed it lyrically; but i also wanted to "get there" with the production. I drew inspiration from ye olde scottish islands - not really - but Wicker Man did come to mind as i was laying out what sounded like very VERY traditional folksy tracks. This made sense for the more lyrically grounded front end of the song. The second part needed to space out a little, as a voice of reason or something definable yet unobtainable. Go go gadget reverb machine.

The reason I'm not sold on the mix as of yet is that I can't hear the bass drop quite as well as i want. There really needs to be that foundation underneath the treble and midrange... acoustically and metaphorically, i guess.

The lyric:
All alone a 6a.m. even though there's someone sleeping on the edge of the hole you made when your feet hit the cold day dreaming - porch lights in snow, side walking slow.

Shake your head full of memory of a day when nothing mattere; weren't you only there yesterday - faces behind you open in side you.

The weight of every bleeding heart pulls the knot of your hangman's windsor. Hit the street to face the day. It's the same everyday's the same everyday. the same. thesamethesame.

If you want to make it end, make it end.
If you want to give it up, give it up.

Eternal daydream tortured past weight of ashes feather crashes it crashes down.
From dirt to dirt it's just that plain irrational but not insane you're not insane.
You're not insane
{First wordy part is my fault. second crazy part is vince's.}


Magic Babies - review of Cytunes launch party.

A really nice review of ths Cytunes.org benefit on friday night - during which the Magic Babeis "killed."
The Magic Babies played first and killed with a set of groovy power-pop songs. The band's music is reminiscent of Big Star's more upbeat tunes. The set included a great Hollies cover that I can't remember now (if anyone knows what it was, drop us a line in the comments). Definitely check The Magic Babies out if you have a chance.
There are photos of each of us. nice photos! this has never happened to me in this band before - my super-power is lense dodging. you can see why. i'm putzish, galen is cute, charles is thoughtfully crapping and dave is plainly rocking.


lunch with the wurly and an evening with you

i just got back from lunch with the wurlitzer.
he's going to be D-less tonight. i removed the reed (a metal plate that get's struck instead of a string) so i won't need to tape the key down or risk hitting a sour  note(and i mean RANK! - halfway  between the C# and the D. oof.). There are only a few songs where this note gets tickled, and given the live club sound, i'm thinking it won't be missed. plus, if i'm on my game i can compensate

i experimented a little with tuning it, though . it started off flat, which means that it needs more solder on it - apparently, as the physics goes, the as mass and/or the surface area of the solder increases the pitch raises (this makes some sense as far as the surface area goes because it's like frets on a guitar or holes in a flute  - but, i didn't have any solder on me. so, i thought i'd file away at what was there to get myself familiar with it and see how much make a difference in notes. i'm pretty confident (and i have to read up on the type of solder and procure a file that i can squeeze inbetween the dampers and arms) that i can solder onto the reed to tune up without having to spend too much money.

this is the same reed that i had to buy before, so i'm thinking that i either play that particular not very roughly, or the replacement was a little weaker than the rest. It's hard to say.

Regardless of my D-less-ness, I hope to see a lot of people out tonight. The Flute Flies are debuting their stuff tonight. Cytunes is launched online, so go buy music. Might i recommend The Ready Set? Ryan Pound's long awaited recording of my one-time Raleigh's favorite band ever finally gets out. They were the greatest. His songs, Dustin's guitar, Brian's drums, anne's cello, and katrina's voice made for a perfect ensemble. The Ready Set isn't playing tonight (or probably ever) but you might get to hear some from the DJ.

Hope to see you there.


I have a new favorite book designer

I am in no way ousting Roy Brooks from top dog  in my favorite designer list; but, I have discovered someone who should be on everybody's list of Person Who's Books I Will Always Buy Given The Choice Or The Money:
Coralie Bickford-Smith

Following links from Under Consideration's Quipsologies I happened upon this blog post from Penguin UK, which employs a unique (although inaccessible) interview style.
It has been a long time since i've been so freshly enamored by and taken with a specific designer's style -- the last being Brian Wood, who has since ventured into and dragged me along into the world of comic books.

The Arabian Nights set is f*&king fantastic. I'm a sucker for a box of identically themed items, but the box itself usually falls flat - more of a wrapper or packaging for a retail shelf. not in this case. Bickford-Smith seems to design specifically for the shelf and the tactile experience Her use of patterns is leaving me dizzy and giddy. I can't even imagine how much time i would spend oggling and running my fingers over (and, yes, probably smelling) The Penguin Classics Set - which is only available from the Waterstone shop in Engerland, apparently - better for me and my financial situation, for certain!

I am curious about her pages, too - that, is if Penguin let's her monkey with the insides too.